A photographer and galerie that express the emotions and stories of a subject beyond the lens of the camera.
Sunday, November 29, 2009
ARTIST THAT INSPIRE ME: More than just a push pin
Using push pins, the innocuous, adhesive, near-detritus of our everyday Eric creates the view from here. His work is that rare aerial perspective of the faces we see every day, the vistas of common personalities, the long view of the human. You can stand up close, squint into the vacu-formed industrial sheen of some common object but such a perspective only argues the atomic structure of his work. As we pull back one quotidian reference morphs into another, objects become portraits, the pedestrian becomes sublime. Molecules, pixels, cultivated fields all speak to his medium. He starts with a flat 5 color cadence, all just rhythmic loops, then relationships form, a singularity shifts into subtle congress and depth and tones appear. We step back further and slowly, as if through the portal of some remote ship we suddenly recognize. That’s us. That’s me. His grids are pictorial DNA, a seemingly simple sequence that when sounded in its complexity reveals the honesty of the unrepeatable person. http://daigh.com
A professional photographer for more than two decades Jodi-Tatiana is not only following her passion but is committed to providing unique, high quality photography that creates life long memories.
Through La Capoise Galerie She specializes in portraits, both corporate and families (newborns, children, mother and child, and the family pet) as well as stock and commercial images for marketing purposes.
La Capoise was created by Jodi-Tatiana Charles as an alternative to online photo galleries and studios that moved away from telling the stories of the customer who creates the lifelong memories. Her goal is to illustrate people, places, and cultures. Images will have the reader take a second look or a prolonged first look because there is so much more in any photo than a family posing, a child sleeping, an artist at work, or a meal being prepared.
She aims to capture the essence of her our clients and their special moments in the most natural settings that guarantee enjoyable memories for years to come.
Using push pins, the innocuous, adhesive, near-detritus of our everyday Eric creates the view from here. His work is that rare aerial perspective of the faces we see every day, the vistas of common personalities, the long view of the human. You can stand up close, squint into the vacu-formed industrial sheen of some common object but such a perspective only argues the atomic structure of his work. As we pull back one quotidian reference morphs into another, objects become portraits, the pedestrian becomes sublime. Molecules, pixels, cultivated fields all speak to his medium. He starts with a flat 5 color cadence, all just rhythmic loops, then relationships form, a singularity shifts into subtle congress and depth and tones appear. We step back further and slowly, as if through the portal of some remote ship we suddenly recognize. That’s us. That’s me. His grids are pictorial DNA, a seemingly simple sequence that when sounded in its complexity reveals the honesty of the unrepeatable person. http://daigh.com
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